https://essaysmanuela.cargo.site/header 2025-02-18T17:22:48+00:00 always 0.5 https://freight.cargo.site/t/original/i/Q2219719285272128526446024275470/--3.jpg https://essaysmanuela.cargo.site/overlay 2025-04-28T10:55:53+00:00 always 0.5 https://essaysmanuela.cargo.site 2025-02-18T17:15:08+00:00 always 0.5 https://freight.cargo.site/t/original/i/G2212908219100704921168967448078/ham-s-redemption-modesto-brocos-97c3c1ee.jpg Girhood: A study of patriarchal expectations on young girls https://freight.cargo.site/t/original/i/C2212910401424315817303761827342/05Balthus-superJumbo.jpg Girhood: A study of patriarchal expectations on young girls https://freight.cargo.site/t/original/i/B2212916571454380103527167243790/Coraline-landscape.jpg From Page to Screen: A Comparison of Coraline’s Book and Movie Adaptations https://freight.cargo.site/t/original/i/H2213097832500509050922774902286/ham-s-redemption-modesto-brocos-97c3c1ee.jpg Ham's Redemption - Eugenics and the Whitening Ideology in 19th Century Brazil https://freight.cargo.site/t/original/i/U2213303048875873743090011682318/eleanor-fortescue-brickdale_the-deceitfulness-of-riches_1901_aware_women-artists_artistes-femmes-1500x1134.jpg Symbolism and Storytelling in the Works of Eleanor Fortescue-Brickdale https://essaysmanuela.cargo.site/untitled-set 2025-02-14T16:05:20+00:00 always 0.5 https://essaysmanuela.cargo.site/girlhood 2025-02-14T17:25:54+00:00 always 0.5 https://freight.cargo.site/t/original/i/S1107630051844471938257921059420/Tech-One-Pager-14.jpg (Fig. 1) Balthus (Balthasar Klossowski) (1908–2001), Thérèse Dreaming (1938) The Metropolitan Museum of Art, New York. Oil on canvas (149.9 × 129.5 cm). https://freight.cargo.site/t/original/i/M2213115256483304337722011104782/05Balthus-superJumbo.jpg (Fig. 1) Balthus (Balthasar Klossowski) (1908–2001), Thérèse Dreaming (1938) The Metropolitan Museum of Art, New York. Oil on canvas (149.9 × 129.5 cm). https://freight.cargo.site/t/original/i/J2213128608144431168326923007502/Untitledqqqq.png https://freight.cargo.site/t/original/i/E2213129522162153276561496028686/ugu.png (Fig 2 and 3) Hawke, Maya (2021, December 7). Maya Hawke - Blue Hippo <a href="(Fig 2 and 3) Hawke, Maya (2021, December 7). Maya Hawke - Blue Hippo (Official Music Video) [Video]. YouTube. https://www.youtube.com/watch?v=noebQxn46po" target="_blank">(Official Music Video) [Video]</a>. YouTube. https://freight.cargo.site/t/original/i/Z2213133694871002981883200222734/3.png https://freight.cargo.site/t/original/i/J2213133801530077216071827666446/jhkjgh.png (Fig 3 and 4) Hawke, Maya. (2022, July 18). Maya Hawke - <a href="https://youtu.be/8jKIiVyrUPY?si=swDdwSVfTRIUJ3jj" target="_blank">Thérèse (Official Music Video) [Video]. YouTube. Maya Hawke - Thérèse (Official Music Video</a> https://freight.cargo.site/t/original/i/O2213223562335275474548546680334/17917142.jpeg https://freight.cargo.site/t/original/i/Y2213223686850797972088020088334/DP-14939-002.jpg https://freight.cargo.site/t/original/i/L2213226909736795322104911574542/gettyimages-457355440-2363b0f49343eb9875df963e87c63e12cab77c1e.jpg (Fig 6, 7 and 8) Degas, Edgar (1834 – 1917), Little Dancer Aged Fourteen (1878-1881) National Gallery of Art, Washington, DC. Pigmented beeswax, clay, metal armature, rope, paintbrushes, human hair, silk and linen ribbon, cotton faille bodice, cotton and silk tutu, linen slippers, on wooden base. Overall, without base: 98.9 x 34.7 x 35.2 cm. Weight: 22.226 kg. https://freight.cargo.site/t/original/i/E2213236736501830827920152933902/yfj.png Deborah Roberts, As I Am, 2017; mixed media on paper, 30 by 22 inches. https://freight.cargo.site/t/original/i/R2213240368536611732814899262990/TheThorpSister_30x22.jpg The Thorp Sister, 30x22, mixed media on Ampersand Gessobord. https://essaysmanuela.cargo.site/eleanor-fortescue 2025-02-14T17:27:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/S1107630051844471938257921059420/Tech-One-Pager-14.jpg (Fig.1) <a href="https://en.wikipedia.org/wiki/en:Eleanor_Fortescue-Brickdale" rel="noreferrer noopener" target="_blank">Eleanor Fortescue-Brickdale</a> (1872–1945), The Deceitfulness of Riches, 1901. Private Collection. Oil on canvas, 109.9 x 85.1 cm. Fine Art America. Fortescue's painting was first exhibited at the Royal Academy in 1901, then in 1902 at Leighton House in an exhibition entitled Such Stuff as Dreams are made of Further details are unknown (Vasari). https://freight.cargo.site/t/original/i/U2213302328198476271405249148430/eleanor-fortescue-brickdale_the-deceitfulness-of-riches_1901_aware_women-artists_artistes-femmes-1500x1134.jpg (Fig.1) <a href="https://en.wikipedia.org/wiki/en:Eleanor_Fortescue-Brickdale" rel="noreferrer noopener" target="_blank">Eleanor Fortescue-Brickdale</a> (1872–1945), The Deceitfulness of Riches, 1901. Private Collection. Oil on canvas, 109.9 x 85.1 cm. Fine Art America. Fortescue's painting was first exhibited at the Royal Academy in 1901, then in 1902 at Leighton House in an exhibition entitled Such Stuff as Dreams are made of Further details are unknown (Vasari). https://freight.cargo.site/t/original/i/V2213309588615582754600250586638/1.png (Fig 2) https://freight.cargo.site/t/original/i/E2213309588634029498673960138254/2.png (Fig 3) https://freight.cargo.site/t/original/i/L2213309588652476242747669689870/3.png (Fig 4) https://freight.cargo.site/t/original/i/K2213314822989894134127778936334/Brickdale_The_Introduction-huge.jpg (Fig. 7) Eleanor Fortescue-Brickdale (1872–1945), The Introduction (before 1905), further details not known. https://freight.cargo.site/t/original/i/X2213316653847690193874486375950/1000x1000.jpg (Fig. 6) Eleanor Fortescue-Brickdale (1872–1945), The Gilded Apple (1899) watercolour over graphite, 45 × 26 cm, Private collection. https://freight.cargo.site/t/original/i/S2213317925123504777641945544206/Eleanor-Fortescue-Brickdale-The-Pale-Complexion-Of-True-Love.JPG (Fig 5) Eleanor Fortescue-Brickdale (1872–1945), The Pale Complexion of True Love (1899), further details not known. https://freight.cargo.site/t/original/i/H2213321765366686042496400963086/eleanor-fortescue-brickdale_the-little-foot-page-burd-helen_1905_aware_women-artists_artistes-femmes-1151x1500.jpg <div style="text-align: center">(Fig. 8) Eleanor Fortescue-Brickdale (1872–1945), The Little Foot Page (1905), oil on canvas, 90.8 × 57 cm, Walker Art Gallery, Liverpool, England. </div> https://essaysmanuela.cargo.site/coraline 2025-02-18T17:11:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/S1107630051844471938257921059420/Tech-One-Pager-14.jpg Fig. 1. Dave McKean cover for Coraline by Neil Gaiman, 2002. Published by Bloomsbury and HarperCollins. https://freight.cargo.site/t/original/i/P2214756206451077794197489923598/71FvtJvTkRL._AC_UF894-1000_QL80_.jpg Fig. 1. Dave McKean cover for Coraline by Neil Gaiman, 2002. Published by Bloomsbury and HarperCollins. https://freight.cargo.site/t/original/i/J2214757557767314913790693553678/ems.cHJkLWVtcy1hc3NldHMvbW92aWVzL2EyNjNmMjE2LWE5ZDEtNGI4Mi05ZjM1LTIzMWQxOWY2YTZiNC5qcGc.jpeg Fig. 2. LAIKA Studios, Coraline directed by Henry Selick, 2009. https://freight.cargo.site/t/original/i/J2214761420866012085971283424782/tumblr_c4d663bca14aa1c2faef97e054623838_c7684c79_540.jpg Fig. 3. Untitled, Dave Mckean illustration from Coraline, page 63. Bloomsbury 2002 edition. https://freight.cargo.site/t/original/i/G2214761421087373014855798044174/8ec21281021f614433b9b0ca5a8cff65.jpg Fig. 4. Untitled, Dave Mckean illustration from Coraline, page 46. Bloomsbury 2002 edition. https://freight.cargo.site/t/original/i/B2214777397443480373224261629454/sddefault.jpg Fig. 8. LAIKA Studios "Behind the Scenes of Coraline.” Laika Studios, www.laika.com. https://freight.cargo.site/t/original/i/Q2214779699560247284028884203022/jgk.png Fig. 10. LAIKA Studios "Behind the Scenes of Coraline.” Laika Studios, www.laika.com https://freight.cargo.site/t/original/i/U2214779786739559776380225140238/662ef9dfbe3ca107edc1c8c0_video.png Fig. 9. LAIKA Studios "Behind the Scenes of Coraline.” Laika Studios, www.laika.com. https://freight.cargo.site/t/original/i/I2214780297050287831481261045262/jgkj.png Fig. 7. LAIKA Studios "Behind the Scenes of Coraline.” Laika Studios, www.laika.com. https://freight.cargo.site/t/original/i/B2214792849506227668619849184782/coraline-encounters-something-in-the-tunnel-much-more-ancient-and-terrifying-than-the-belda-photo-u3.jpeg Fig. 5. Untitled, Dave Mckean illustration from Coraline, page 4. Bloomsbury 2002 edition. https://freight.cargo.site/t/original/i/Y2214800410420795112543446447630/21f6b8d7fe22d16a0c99d47cf23e7864.jpg Fig. 6. Untitled, Dave Mckean illustration from Coraline, page 4. Bloomsbury 2002 edition. https://freight.cargo.site/t/original/i/Y2214804925980830171830876976654/3908-tadahiro04coraline-tadahirouesugi-05.jpg Fig. 12 Tadahiro Uesugi concept design for Coraline, <a href="http://www.awn.com/animationworld/tadahiro-uesugi-talks-coraline-design" rel="noreferrer noopener" target="_blank">www.awn.com/animationworld/tadahiro-uesugi-talks-coraline-design</a>. https://freight.cargo.site/t/original/i/F2214807308248700082903501321742/tumblr_p78hxoxnOK1v9g7c3o3_r1_640.jpg Fig. 13 Magic Garden from Coraline, LAIKA Studios. Directed by Henry Selick, 2009. https://freight.cargo.site/t/original/i/K2214807921861194950778026276366/lf.jpeg Fig. 11 Tadahiro Uesugi concept design for Coraline, <a href="http://www.awn.com/animationworld/tadahiro-uesugi-talks-coraline-design" rel="noreferrer noopener" target="_blank">www.awn.com/animationworld/tadahiro-uesugi-talks-coraline-design</a>. https://freight.cargo.site/t/original/i/Y2214813682908496378786962814478/Screenshot-2025-02-15-at-15.27.20.png Fig. 14 Shots from Coraline, LAIKA Studios. Directed by Henry Selick, 2009. https://essaysmanuela.cargo.site/hams-redemption 2025-02-18T17:11:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/S1107630051844471938257921059420/Tech-One-Pager-14.jpg (Fig. 1) Modesto Brocos y Gòmez (1852 – 1936), Ham's Redemption (A Redenção de Cam, 1895). National Fine Arts Museum of Rio de Janeiro, 199 cm × 166 cm (78 in × 65 in). Oil on poplar panel. Reproduction via Fapesp Agency. https://freight.cargo.site/t/original/i/R2219658929038152362837319955982/ham-s-redemption-modesto-brocos-97c3c1ee.jpg (Fig. 1) Modesto Brocos y Gòmez (1852 – 1936), Ham's Redemption (A Redenção de Cam, 1895). National Fine Arts Museum of Rio de Janeiro, 199 cm × 166 cm (78 in × 65 in). Oil on poplar panel. Reproduction via Fapesp Agency. https://freight.cargo.site/t/original/i/R2219659832891718486457930036750/444.png (Fig. 2) https://freight.cargo.site/t/original/i/N2219659832854824998310510933518/222.png (Fig. 4) https://freight.cargo.site/t/original/i/Y2219659832873271742384220485134/333.png (Fig. 3) https://freight.cargo.site/t/original/i/T2219661557902097051259230303758/Flag_of_Brazil.svg.png (Fig. 5) Raimundo Texeira Mendes (1855 – 1927), A Auriverde Verde e Amarela, 1889. Proportion: 7:10. The current version with 27 stars was edited in 1992. https://freight.cargo.site/t/original/i/R2219662677361207908397079672334/Johann_Moritz_Rugendas_in_Brazil.jpg (Fig. 6) Johann Moritz Rugendas (1802-1858), Castigo Púlico, 1835. Museu Castro Maya - IPHAN/MinC (Rio de Janeiro, RJ). 22,70 cm × 31,10 cm, Lithography. Reproduction via Niday Picture Library. This image could have imperfections as it’s either historical or reportage. https://essaysmanuela.cargo.site/header-mobile 2025-02-14T16:05:20+00:00 always 0.5 https://essaysmanuela.cargo.site/footer 2025-02-14T16:05:20+00:00 always 0.5